I know it hardly makes sense for me to be talking about the next best thing when the best thing of the moment hasn’t even started yet, but I have to. You see, although From Koe’siestes to Kniedlach hasn’t opened yet (it previews on Tuesday and Wednesday and opens on Thursday at the Auto & General Theatre on the Square this week), and that has been my main and most absorbing focus, once it is open I whizz back to Cape Town without a moment to catch my breath and start playing my heart out in ImproGuise‘s fifth annual improv fest.
Starting on Monday 6 March, and with a different format every night until Saturday 11 March, this is the improv festival I cannot stop thinking about. The intimate Alexander Bar theatre hosts us each night at 7pm for an hour long exploration of on the spot creativity, team work, imagination and fun. Nothing thrills me more than a week of improv every night for almost a whole week. And I am playing with Cape Town’s finest improvisers and make-believers. The Alexander theatre is small, with only 42 seats a night, and the different formats we are playing are a combination of audience favourites and ‘brand-new-never-tried-before’. My old favourite is Documentary; a completely made up documentary (think fake news only much more creative) based on a few suggestions from the audience. The format I am the most excited to try out is Tribute, part documentary, part tribute show. We make up the band, the members, the people who influenced them, and then we sing their songs, based on titles given by the audience. There is also Naked Improv, Duos, Westword and Alexander Abbey (our nod to period drama). I am salivating.