Megan's Head

A place where Megan gets off her head.

Category: inspiration (Page 1 of 39)

Lost Property in Jersey City

Lost Property found a home last night, at the Jersey City Theater Center and I am exhausted, happy, proud, excited and hopeful about this play. Olga Levina, Catalina Florescu, and your team you were so welcoming, encouraging and supportive. It was also a privilege to be in great company with the other writers.

This is the thank you post. Every single person who gave $ for me to get here, both through Thundafund and around it. Each $ and R made it possible, and it was so worth it. Can’t list you, but I know who you are. Love you all madly.

Jaci de Villiers. Thank you for living in NYC and for being my prize fighter, gang leader, battle planner, bodyguard, inspiration, activator and friend. I am only saying the fewest of the things you do here. You are flippen awesome and I love you.

Gys. Brilliant teacher, friend, accommodator, joke maker, theatre blood pumper. Thank you. Your involvement makes me feel like a real writer and performer.

Zane Gillion. You are the most amazing scene partner and a brilliant performer. You brought the words to life with passion and deep understanding and feeling. Thank you. What a great support, energy and electricity you brought. Forever indebted to you.

And then, my friends, old and new who came with arms wide, love pouring out and the best support to watch my work. Thank you.

 

A dive in to Lost Property

Yesterday afternoon we jumped on the PATH train and exited into a thunderstorm in Jersey City. I kept on thinking about my Thundafund that brought me here. We were drenched by the time we reached the JCTC for the first night of this tiny curated festival of work.

The unassuming door to the space leads off a parking lot so there is no hint to the loveliness that is inside: A gorgeous intimate theatre.

Last night’s piece was an 80 minute monologue called Unbossed and Unbowed, written and performed by Ingrid Griffith and it tells the story of Shirley Chisholm a black woman who became a local politician, a congress woman and a wannabe president of the US, in the 60’s and 70’s. This is herstory I know nothing about. And it is rather extraordinary that the US is still waiting to have a female president.

Tonight’s plays are two 10 minute ones and Lost Property. I am overwhelmingly excited to be part of this, and I can’t wait to get feedback on the work. What an opportunity.

Thank you Thundafunders. Look at me go!

Feral

When the company is called Tortoise in a Nutshell you know what you are about to see will be different.

59E59 is a gorgeous theatre complex that highlights British work, often before it goes to Edinburgh. And Tortoise in a Nutshell is an Edinburgh based visual theatre company.

I have never seen anything quite like Feral. 5 cast members. Three mover/filmers, one sound man and another live vision mixer. A complex and technical, white, mostly board and putty set, with teeny, tiny details and Pixar lamps moved and turned on and off in a fluid dance. Live foleys and looped percussion and voice over an expansive and evocative soundtrack.

How it works. A town is built before our eyes as a man draws it. We are introduced to Joe (the man) and his sister. Buildings are brought onto this round, grooved, tilted table and a whole little town and all its characters are populated, and then filmed. Really close up.

Feral is a tiny story about a tiny town that is destroyed when a Supercade (a massive mall) is built where the park used to be. It is a story that moves from the deeply personal to the political and back to the harrowing, devastating personal. And the whole thing happens with minute, magnificent puppetry.

I loved it. I was transported, moved, shifted and completely in awe.

 

 

All My Sons on Broadway


Watching a play on Broadway for this South African meisie is always an other worldly experience.

Picture this. A completely full, huge theatre where tickets are sold at an absolute premium. A show that has been running for months. A classic. Arthur Miller’s All My Sons, starring Annette Bening and Tracy Letts. A full, three act play. With a full, proper cast.

The set. A sepia storm on a front screen sets the just-post war tone. A garden. A double story house. Lawn. Trees. A view of the neighbours’ houses. Huge. Magnificent. Detailed. Wisteria on the little gazebo. The set at an angle. Feeling the whole suburb. This dominant house. This house we can see into.

The cast. Aside from the fact that Annette Bening, Tracy Letts and Benjamin Walker are huge. Huge. These actors WERE NOT MIC’ed. These actors projected. These actors. These actors who were allowed to pause for almost a minute because they had earned it. And they had.

The focus, commitment, style, direction, the detail the pace, the choices, the decisions. The time. Almost 2.5 hours of theatre.

The text. Arthur Miller’s text is exquisite. And American. It is hard work. And agonising. Our world has minimised these ethical, moral struggles about conscience, and business and corruption and war. Our world on social media and our unaccountable, corrupt leaders are taking us back to a pre-war place. I was frightened.

This Tony nominated production is glorious. Important. Proper. And I am so privileged to have seen it.

A Steamy Sunday in NYC

Yesterday was hot. The cool aircon of the Path Subway to Jersey City was a delicious respite. Our rehearsal was intense. I have written a really hardcore play. Jaci and Zane are dream players. We always feel like we want to be doing the full production.

It is amazing how quickly we make rituals. On Saturday Jaci and I bought little power breakfast bowls. They were delicious. We had to do it again yesterday. Frozen vegan chocolate protein with granola, banana and peanut butter. Yum.

After rehearsals we traveled back to Manhattan and caught a 5pm show of  The Day I Became Black by Bill Posely in a gorgeous old theatre The SoHo Playhouse. It was a very special one man show; a personal, funny, well observed journey towards bi-racial identity and how it plays out in a world obsessed with binary labels, boxes and things. I was charmed and moved by him.

After the talkback we came outside to a dusk that had been cooled by a rain shower that we had missed. It was a beautiful world of wet smells, glistening light and a gentle breeze.

New York Diary – Top Gun on a War Ship

Day 2 was me thrown into the deep end, extreme walking jet lag off, a visit to the Biennale at The Whitney, a trip back up to the Upper East Side, then back down to almost where I was before, to wait in a queue, watching the sailors in their white on the beginning of Memorial Day Weekend, while we waited for the ‘gate’ to open. Then it was the trek up to the top deck of The Intrepid, an actual airplane carrier, with planes on it (and a museum below) for the yearly outdoor screening of Top Gun. I will never be able to accurately explain what it was like. Mad, strange, hilarious, nostalgic, cute, mad, funny and bizarre. Google it. Beyond.

Today.

Today was a trip to Jersey City to have our first of 2 Lost Property rehearsals in the venue. Joy of joys. I cannot explain how happy we were.

Then – absolute luck of the lucky. The day before I had said how I would love to get Mexican vegan food while I am here. Boom. We stumbled upon the most awesome vegan friendly Mexican restaurant Hotel Toruga. It was spectacular.

And then! We saw Walk off The Earth live in an intimate and amazing concert. These guys put on the most delicious, funny, positive, charming, musical, slick and delightful show and I loved every minute. Loved.

My feet are aching but my heart is soaring.

 

Page 1 of 39

Powered by WordPress & Theme by Anders Norén