Megan's Head

A place where Megan gets off her head.

Category: me on stage (Page 2 of 52)

Good News

Today has been a really good day from a creative point of view. There have been a series of signs that I am moving in a positive direction – not totally there yet, but moving certainly. I am working my way through getting funding for my trip to the US so I can be at the reading of my play Lost Property at the end of May, and I am preparing for a reading of it here at home before I leave (watch this space for more news of that). I am gearing up for the first ever proper performances of my piece The Deep Red Sea on the 20, and 21 May at the Alexander Bar and Café, and I am preparing for teaching a series of classes and workshops. Also, my favourite thing happens next week, also at the Alexander Bar – we are improvising from Monday to Friday in The Style High Club, a series of long form improv shows dedicated to style – film noir, SA soap, Austen, movies and musical, all made up on the spot.

But the best news of the day is that my rhyming children’s story has been picked up by a really big publisher and I couldn’t be more thrilled. I will share all the details as they evolve, but right now I am grinning, and giggling and delighted.

From Koe’siestes to Kneidlach and beyond

Let’s hear it for learning from each other, building bridges, understanding tolerance, respecting differences, trying out funny food, celebrating culture, singing each others’ songs, enjoying a turn of phrase.

Auto & General Theatre on the Square. Chantal Stanfield. Megan Furniss. Jew-ish. Coloured.

In a little side note observation navel gaze: I am often quite hostile about my own Jewishness. This play allows me to access it in the warmest and most non-judgemental way. It gives me the space to be kind and critical. I am able to see the funny side and enjoy my Jew-ishness without getting caught up in the fraught and political. I have watched this play evolve, and honestly, it only gets better. I am still moved and delighted by it.

Oh the Humanity

I was being chatted to by an actor the other night, and he was shooting the breeze, complaining about chancers in the industry who give the ‘real deal’ a bad name, and bitching about the Cape Town Joburg separation of power and ideology. He spoke about how the Fleur du Cap Awards are hamstrung by old thoughts, how certain directors have fallen into bad habits, and how most actors of a certain age are only just functioning alcoholics. The usual. Blah blah Shakespeare.

And then it happened. This respected and very super talented actor gave a thorough analysis and deeply thought out criticism of a play he had not, actually, in fact seen. There are few times when I am completely at a loss for words. Not that he noticed. His diatribe had come out of a moment where he inhaled mid speech and I had told him about a play that I had in fact seen; a play that I did think was hideous; based on actual first hand experience. On his out breath he started talking about this other play, that he had not seen, but, according to him, could never work because of 1. the director, 2. the cast, 3. the content and 4. how it has been done in the past.

I suddenly realised that this happens a lot. A lot of actors don’t see other work but have opinions on it. I see a lot of work. Some I write about, others not, but I never ever have an opinion on a piece that I have not yet seen.

Next time you get into one of those post-show, a few glasses of wine later monologues in pseudo camaraderie, ask the speech giver up front if they are talking about a play that they have seen.

Something Special – From Koe’siestes to Kneidlach


Today I stepped into the Golden Arrow Studio at The Baxter for the first pick-up rehearsal for Cape Town’s run of From Koe’siestes to Kneidlach, and as Chantal Stanfield started exploring the text in a new space I started chuckling, and smiling and even laughing out loud.

And then, unexpectedly I found myself with a frog in my throat, and I had to catch my breath and wipe a tear away, even though I knew the text by heart. I can tell you, I was taken aback – moved completely by surprise.

We had a divine reconnecting rehearsal and I left, still thinking about how it had had a profound effect on me. I have been trying to work out what happened, and I think I have a sense of it now. This little piece is a feel good story in the truest sense of the word. It is a love story, and a generous exploring of different cultures. It is filled with observation, and kindness and wonder, and humour. And it comes straight from the heart, straight to the heart.

I hope Cape Town audiences will love it. I do. We are on from 19 December to 6 January. Come, and then let me know what you think.

Improv excitement

I sprang out of bed today with the happiest sproing because on Thursday, Friday and Saturday night I am going to be improvising with ImproGuise and we are doing a different improv format on each of the nights and this makes me very damn sproingy.

We are going to be playing our hearts out at my favourite theatre, The Alexander Bar, and we are on at 9pm and we want you to come and witness the fun and join in the laughter. On Thursday night we will be warming up with old school TheatreSports; short form, competitive improv games, with suggestions and scores from the audience. Friday night is reserved for our new format Tribute. We have only played this once before and we were transported by it. The first half is an improvised documentary about a made up band. Then, after suggestions for titles from the audience, we pay tribute to the band by singing four of their songs; all made up and never heard before. You need to be there to believe it. Finally, on Saturday night we’ll be doing SuperScene, where each player directs a scene using the other players, and the audience votes for which ones they want to continue seeing, until there is the last and final, winning SuperScene.

You know me; any opportunity to get my improv on. I am so, so sproingy. Please go here to book. The venue is tiny and you only have 3 nights to choose from. Yayayayayayyayayayyay!

PS. I was a little bit underwhelmed by the response from actors regarding my proposal for improv masterclasses. Maybe you want to come check out the show and then see?

Improv for Actors

Dear Cape Town actors, I am seriously considering running once a week masterclasses in improv, specifically for actors, but I need to ask you outright whether you would come, and whether you would make it a regular thing? Is this something you think you need, or would benefit from?

My vision is that we would work in monthly modules. For example, we would do four sessions on being present, four sessions on improvising a character and character work, four sessions on status and relationships, and so on, pretty much ad infinitum.

I am also open to the possibility of focussing on what you as actors need from these sessions. I know that there is always a request for improv as an audition tool.

Improv is my big love, and I have seen how it has helped me, both on and off stage. Aside from the delight of performing improv, I also adore sharing the love as a facilitator and improv teacher.

Who is keen? Be honest here, is there a need? Would you come? Should I find a venue and propose a time? I would try and make attendance at these classes really cheap and accessible, so what would be an affordable price? What would be a good day (or evening, or morning)? How much would you spend on weekly classes? How long should a class be?

I would love to get your feedback before I source a venue and put in the work. Let me know by sending me your contact details in an email at megan@improvision.co.za

 

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