I am picking up the script for Drive With Me again. I have a proper two week run at Alexander Bar from 30 June to 12 July, the exact time of the Grahamstown festival. It is intentional irony. The show is set in Grahamstown, at the festival. Anyone who knows me knows the metaphorical death I suffered at the festival with this piece last year. In spite of great reviews, standing ovations from audiences of 3, and a very late awarding of an Ovation award, I came away from the experience in more than just a few pieces.
Luckily I was able to put those terrors and ghosts to bed during a 3 show sold out slot at Alexander Bar in November last year. (It was so strange wearing that winter costume and describing the July conditions in the heat of summer.) This time I am really excited. I feel as if the blossom and bloom time for the piece is now. I am proud of the writing even though I am still challenged by the performance of it, and I surprise myself, even when just learning lines, with new thoughts and ideas. Writing and then performing a piece has different stages of gestation I guess. I remember the late Peter Hayes saying that a show needs to be performed at least 70 times before it becomes what it should be. As an improviser that seems terribly long, but I am starting to understand what it means. The more you do it the smaller the gap between intention and execution.
I am excited by the possibility of reaching a (slightly) bigger and wider audience. The Alexander Bar is tiny and intimate enough, but more than just friends will get to see it this time with 9 performances. So, if you’re even just a little curious, please take the chance and book here.
PS. It is the weirdest thing being 17kgs lighter than when I last performed this. I wonder how the character of Marion Taylor will be affected?