Megan's Head

A place where Megan gets off her head.

Tag: Armand Aucamp

Unconquered by Mary and The Conqueror

My date (a theatre loving actress) and I popped off to Artscape‘s Arena last night for the opening of The New Writing Season’s 2011 first offering, Juliet Jenkin’s Mary and The Conqueror. I am feeling particularly indebted to those involved in this programme because of the support, belief and opportunity they gave my play The Tent, so I really wanted to love this production but I really didn’t.

The premise is; on a beach in some weird waiting afterlife, Mary Renault the author meets one of her historical characters that she was obsessed with, Alexander the Great. This is how they both end up reflecting on the loves of their lives, both same sex relationships. After analysing their lives and accepting some stuff Mary is able to ‘get into the water’ with Alexander and leave.

The cast is Diane Wilson, Adrienne Pearce, Armand Aucamp and Francis Chouler and they are directed by Roy Sargeant.

The big question about this production, and the play itself, is why? What’s the point? No doubt there are answers somewhere but they don’t end up on stage. The interactions between Mary and Alexander drag on repetitively, with her responding in the same way to his questions (and in the same tone) and he refusing to give a straight answer in a weird coughing up of trying to find the words. While both boys are terribly pretty in their little white Speedos (why little white Speedos, I have no idea) we have no real sense of the lives that they lead, and the ups and downs of the relationship between the conqueror and his general ends up feeling a little trite and immature, and mostly, quite boring. It’s hard to follow all the talking about stuff that happened or will happen, but never happens on stage. It’s odd hearing them speak in a funny pseudo Italian accent. It’s awkward watching them pose and swagger, caress and fight. It’s a bit like chaaf chaaf acting, even though they are both very pretty in their little white Speedos (or have I already said that?).

The women fare a little better with a more genuine and earnest exploration of their relationship, but it’s also repetitive, and predictable. Their secret love affair, played out against the background of a conservative Camps Bay community never quite sparks to life after the promise of the first scene, although I really enjoyed Adrienne Pearce’s character and performance.

The moment of the piece for me was Adrienne Pearce in her monologue; slightly different from the style of the rest of the play, where she is shatteringly revealing about becoming ill, and it is deeply moving. We needed many more of these.

Part edutainment/reenactment historical, part secret same gender relationships in a tough time, part how to live with a difficult and ambitious figure, nothing really gets going here. While Alfred Rietmann does a great job of making it look beautiful, it’s all a little pointless and rather dreary. Sorry.

CLAN Can

A modern, local, young and fresh vampire play, right around the corner from where I live! I went to see CLAN last night and it was vamp-tastic. Best play I’ve seen this year. It’s on at Theatre in the District, but only for a week, so if you want to be part of the inner circle of cool with style and meaning, and be surrounded by the hot young blood of the cast and crew, hurry and don’t get all Capetonian or you’ll miss it.

CLAN is the brainchild of Francesco Nassimbeni, who wrote and directs. It’s a huge cast of seven (in this day and age) and they are in no particular order, Richard Lothian (who I just completely love) Nicole Bailey (who I haven’t seen before but who was delicious), Gahlia Phillips (the beautiful), Armand Aucamp (the completely most delicious), Roxanne Blaise (doing the best and most fabulous work I’ve seen her do), Johann Vermaak (who is very funny) and Juliet Jenkin (who is totally power, quirky, perfect). That’s all I’m going to say about them individually because CLAN is pure teamwork, on every level.

It’s a great story, well rehearsed and developed. The simple set is brilliant. The cozzies are fabulous (except for the bras; my only niggle). The cast look and sound fantastic in the space. The huge high ceilings of the ex-chapel (I know!) and the massive chandelier are perfect. The lighting works. The choreography works. The characters are successful. The show captivates from the first word (and lighter) to the last. The music (did I hear Klaus Nomi; the immortal from my past?) is perfect. The combination of sexy, earnest, funny, loveable, is exactly what will make people (especially young disaffected non-theatre goers) want to see the show (more than once even) and be part of CLAN. Even I had a yearning to go clubbing and drinking (my friend’s blood).

You can book by email on wearetheclan@gmail.com (how can you resist it?) It costs R40. I kid you not. Really, you can’t get anything for R40.

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