Megan's Head

A place where Megan gets off her head.

Tag: improv (Page 1 of 16)

Pete

I had a full week of improv teaching and facilitating last week, including running 5 short 1 hour and ten minute sessions for a school celebrating 2 days of end of term Art Jam. I worked with groups of between 8 and 14 students and we played warm up games and they learned some improv basics in a fun and interactive way.

In my second session of my first day I encountered Pete. I could see (it was obvious) that he was out of the ordinary. He struggled with eye contact and found it difficult to do the fun and spontaneous silly stuff when we went around in a circle, but he seemed to have a spark of enjoyment about what we had done and that was great.

After a fifteen minute break I got ready to receive another group, who were coming from doing something else entirely. Who should join this group? Pete. This time he was bolder and more silly. When it came to the final game (an interview game with two players playing the talking characters hands) he volunteered, sat down, and when I asked for an expert he announced that he would be an expert in Soviet monkeys. And that is what he was; confidently, loudly and hilariously. The teacher who had joined this group told me afterwards how delighted he was that Pete had participated and spoken up – he never says anything in class.

Pete was one of the first kids to arrive the next morning for the first session. He was becoming an expert himself. Funny, clever, silly and totally committed, he had an absolute blast. And so did I, watching him. He tried to come to the last class too he but was hurried off to the session on his schedule. I don’t know if it was any good for him.

But I was so chuffed to have had him choose my improv sessions. I saw the deep magic of it in practice.

Improvised Industrial Theatre

Two weeks ago I got an urgent call from a business consultant who was facilitating a big corporate seminar and workshop. She had been let down by a theatre company at the last minute and needed some industrial theatre as an intervention during the seminar. In under a week. Because of improv philosophy I said ‘yes’ first, of course I could help, and then I panicked about the how of it. Fortunately, because she has a theatre background she understood what I was talking about when I explained that a week was too short a time to write, cast, rehearse and produce a 20 minute play, and that I thought it would be a good idea to throw around a few concepts and get improvisers to play with the ideas; an improvised corporate theatre intervention.

She loved it and we spoke about meeting the next day to play with the ideas, messaging and goal of the piece. “Where are you?” she asked. At that moment we realised that she was in Joburg and I was in Cape Town. My heart sank and I started thinking about who I could recommend, but she threw a solution at the problem and suggested that if I knew improvisers in Joburg and could cast them remotely, I could come up and the job would be mine. I did, I went, was supported by brilliant Joburg improvisers, and it was a great success.

And it got me thinking. One of the big problems facing us as industrial theatre makers right now is that businesses don’t have the budget, even though there is the earnest desire. It is challenging to be asked to quote for a piece of industrial theatre when you know the client will be shocked by the cost. Clients expect to pay a couple of thousand R for theatre that in reality costs almost a hundred thousand R to make. I am asked a few times a month to quote and there is almost never any comeback.

So, how about a new product? A theatrical intervention that is explained up front as improvised? This is different from forum theatre, or role play, in that it is purely theatrical, but it is also potentially funny, a great breakaway, meaningful, and also tailor made to the situation. It is improvisation, but for a target group or audience. There is the element of risk, and even ‘failure’, but that is part of improvisation, and part of business. I think there is so much value in an audience being part of that experience. And the dual message is powerful too.

Any takers? Contact me on megan@improvision.co.za and tell me what you need.

Improv excitement

I sprang out of bed today with the happiest sproing because on Thursday, Friday and Saturday night I am going to be improvising with ImproGuise and we are doing a different improv format on each of the nights and this makes me very damn sproingy.

We are going to be playing our hearts out at my favourite theatre, The Alexander Bar, and we are on at 9pm and we want you to come and witness the fun and join in the laughter. On Thursday night we will be warming up with old school TheatreSports; short form, competitive improv games, with suggestions and scores from the audience. Friday night is reserved for our new format Tribute. We have only played this once before and we were transported by it. The first half is an improvised documentary about a made up band. Then, after suggestions for titles from the audience, we pay tribute to the band by singing four of their songs; all made up and never heard before. You need to be there to believe it. Finally, on Saturday night we’ll be doing SuperScene, where each player directs a scene using the other players, and the audience votes for which ones they want to continue seeing, until there is the last and final, winning SuperScene.

You know me; any opportunity to get my improv on. I am so, so sproingy. Please go here to book. The venue is tiny and you only have 3 nights to choose from. Yayayayayayyayayayyay!

PS. I was a little bit underwhelmed by the response from actors regarding my proposal for improv masterclasses. Maybe you want to come check out the show and then see?

Improv for Actors

Dear Cape Town actors, I am seriously considering running once a week masterclasses in improv, specifically for actors, but I need to ask you outright whether you would come, and whether you would make it a regular thing? Is this something you think you need, or would benefit from?

My vision is that we would work in monthly modules. For example, we would do four sessions on being present, four sessions on improvising a character and character work, four sessions on status and relationships, and so on, pretty much ad infinitum.

I am also open to the possibility of focussing on what you as actors need from these sessions. I know that there is always a request for improv as an audition tool.

Improv is my big love, and I have seen how it has helped me, both on and off stage. Aside from the delight of performing improv, I also adore sharing the love as a facilitator and improv teacher.

Who is keen? Be honest here, is there a need? Would you come? Should I find a venue and propose a time? I would try and make attendance at these classes really cheap and accessible, so what would be an affordable price? What would be a good day (or evening, or morning)? How much would you spend on weekly classes? How long should a class be?

I would love to get your feedback before I source a venue and put in the work. Let me know by sending me your contact details in an email at megan@improvision.co.za

 

Thinking Improv

I went to a meeting yesterday to find out what a potential client needed. She had said she wanted improv theatre for a client presentation, but I wasn’t convinced that what she was asking for was improv; i.e. performers making stuff up. I was pretty sure she wanted industrial theatre; performance to support a boring event of power points and speeches.

I was right. She had been handed the notion of improv theatre by one of her superiors, didn’t really understand what it was, but couldn’t let go of the name of the thing. She was great, and responsive, when I explained to her the difference and what I thought she was asking for, but the default name of improv theatre stuck around for the meeting, and I was the one who had to let go.

And so I used the basic tools of improv for the rest of the meeting. I listened. I built on her ideas. We worked as a team. We developed the scene. I got her excited. She got me excited. We were so creative, and funny, and enthusiastic. When we walked down to the parking lot it felt like we had finished a healthy workout.

I am writing our ideas into a concept document and I have all the right improv energy to do it. Love improv. Even when it isn’t the thing.

 

Improv for my life

For those of you who know me you know that I love directing theatre, performing plays and writing them, but my big love, if I were forced to choose, is improvising. I am the happiest and luckiest when I am making things up, especially in front of an audience. I have been very clever about living my dream. For the past 24 years I have been doing this almost every week, in some form or another. I remember thinking, when I was in my 30s that there was an age limit to this form of play, but I haven’t stopped and I love it more all the time.

Last night we practiced a new format that we’ll be ‘premiering’ at ImproGuise‘s fifth annual improv festival (can you believe we have done 5 improv festivals?) that takes place at my favourite Alexander Bar from 6 to 11 March. This new format is called Tribute and how it works (kind of) is that the first half is the back story of the band or musicians we are paying tribute to, and the second half is the tribute band playing their songs. Everything is made up. For those of you who know me, singing is not a strong suit of mine, but I love it nonetheless, and I will be belting it out with the best of us. I cannot wait.

Every single of the five nights is a different format, and the Alexander Bar is teeny, so you should start booking for the ones you definitely want to see.

Also starting in March is our new Improv for Beginners training course. I haven’t been involved in the teaching or running of one of these for a bit, and this year Tandi Buchan and I will be doing it together. It is also another favourite thing of mine to do. If you are keen, please email Tandi on tandibuchan@gmail.com for info on dates, times and costs. This course will change how you do life, and it is for everybody, so come and play.

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