Megan's Head

A place where Megan gets off her head.

Tag: improv (Page 1 of 15)

Improv excitement

I sprang out of bed today with the happiest sproing because on Thursday, Friday and Saturday night I am going to be improvising with ImproGuise and we are doing a different improv format on each of the nights and this makes me very damn sproingy.

We are going to be playing our hearts out at my favourite theatre, The Alexander Bar, and we are on at 9pm and we want you to come and witness the fun and join in the laughter. On Thursday night we will be warming up with old school TheatreSports; short form, competitive improv games, with suggestions and scores from the audience. Friday night is reserved for our new format Tribute. We have only played this once before and we were transported by it. The first half is an improvised documentary about a made up band. Then, after suggestions for titles from the audience, we pay tribute to the band by singing four of their songs; all made up and never heard before. You need to be there to believe it. Finally, on Saturday night we’ll be doing SuperScene, where each player directs a scene using the other players, and the audience votes for which ones they want to continue seeing, until there is the last and final, winning SuperScene.

You know me; any opportunity to get my improv on. I am so, so sproingy. Please go here to book. The venue is tiny and you only have 3 nights to choose from. Yayayayayayyayayayyay!

PS. I was a little bit underwhelmed by the response from actors regarding my proposal for improv masterclasses. Maybe you want to come check out the show and then see?

Improv for Actors

Dear Cape Town actors, I am seriously considering running once a week masterclasses in improv, specifically for actors, but I need to ask you outright whether you would come, and whether you would make it a regular thing? Is this something you think you need, or would benefit from?

My vision is that we would work in monthly modules. For example, we would do four sessions on being present, four sessions on improvising a character and character work, four sessions on status and relationships, and so on, pretty much ad infinitum.

I am also open to the possibility of focussing on what you as actors need from these sessions. I know that there is always a request for improv as an audition tool.

Improv is my big love, and I have seen how it has helped me, both on and off stage. Aside from the delight of performing improv, I also adore sharing the love as a facilitator and improv teacher.

Who is keen? Be honest here, is there a need? Would you come? Should I find a venue and propose a time? I would try and make attendance at these classes really cheap and accessible, so what would be an affordable price? What would be a good day (or evening, or morning)? How much would you spend on weekly classes? How long should a class be?

I would love to get your feedback before I source a venue and put in the work. Let me know by sending me your contact details in an email at megan@improvision.co.za

 

Thinking Improv

I went to a meeting yesterday to find out what a potential client needed. She had said she wanted improv theatre for a client presentation, but I wasn’t convinced that what she was asking for was improv; i.e. performers making stuff up. I was pretty sure she wanted industrial theatre; performance to support a boring event of power points and speeches.

I was right. She had been handed the notion of improv theatre by one of her superiors, didn’t really understand what it was, but couldn’t let go of the name of the thing. She was great, and responsive, when I explained to her the difference and what I thought she was asking for, but the default name of improv theatre stuck around for the meeting, and I was the one who had to let go.

And so I used the basic tools of improv for the rest of the meeting. I listened. I built on her ideas. We worked as a team. We developed the scene. I got her excited. She got me excited. We were so creative, and funny, and enthusiastic. When we walked down to the parking lot it felt like we had finished a healthy workout.

I am writing our ideas into a concept document and I have all the right improv energy to do it. Love improv. Even when it isn’t the thing.

 

Improv for my life

For those of you who know me you know that I love directing theatre, performing plays and writing them, but my big love, if I were forced to choose, is improvising. I am the happiest and luckiest when I am making things up, especially in front of an audience. I have been very clever about living my dream. For the past 24 years I have been doing this almost every week, in some form or another. I remember thinking, when I was in my 30s that there was an age limit to this form of play, but I haven’t stopped and I love it more all the time.

Last night we practiced a new format that we’ll be ‘premiering’ at ImproGuise‘s fifth annual improv festival (can you believe we have done 5 improv festivals?) that takes place at my favourite Alexander Bar from 6 to 11 March. This new format is called Tribute and how it works (kind of) is that the first half is the back story of the band or musicians we are paying tribute to, and the second half is the tribute band playing their songs. Everything is made up. For those of you who know me, singing is not a strong suit of mine, but I love it nonetheless, and I will be belting it out with the best of us. I cannot wait.

Every single of the five nights is a different format, and the Alexander Bar is teeny, so you should start booking for the ones you definitely want to see.

Also starting in March is our new Improv for Beginners training course. I haven’t been involved in the teaching or running of one of these for a bit, and this year Tandi Buchan and I will be doing it together. It is also another favourite thing of mine to do. If you are keen, please email Tandi on tandibuchan@gmail.com for info on dates, times and costs. This course will change how you do life, and it is for everybody, so come and play.

2 Parrots and a Sandcastle

IMG_6968So, my way of starting the new year is with three improv shows at my fave Alexander Bar, this coming Thursday, Friday and Saturday night. I will be performing with a different improviser each night, for an hour of made up stuff, with no pre-plan or any idea at all about what we will be doing. I cannot wait.

The line up of performers joining me is unbelievable and I am so lucky to have these people to come and play, and fulfil my dream and first love, improv.

Tandi Buchan, AD of Improguise, our improv troupe, joins me on Thursday night. We have been improvising together for over twenty years now. In fact, Tandi is like my improv wife. We are so safe with each other, but still continue to surprise each other. Tandi is imagination. Tandi is a storytelling machine and brilliant characters. Tandi is Noel Coward and South African Soap. I love being on stage with her.

Friday night is Brett Anderson night. It is also the night of his birthday, so double celebration. Brett ‘take it and run with’ it Anderson is a different kind of partner in crime. Wordsmith, rhyme guy and creative punster, Brett gives me a run for my money with quick thinking and wittiness. I so enjoy being on stage with him.

On Saturday it’s Leon Clingman’s chance to join me. I have been waiting for a chance to share a stage for an hour with Leon. We really get each other as improvisers. With Leon I can take risks. With Leon there is conflict and drama and relationships. Leon is my improv husband. I know it is going to be interesting, and amazing.

I don’t want you to have to choose which night to join us. Come to all three. It’s cheap as bad gossip. R80 if you book online.

Improv Inspiration

Not that I need it, but yesterday is living proof that improv is the most extraordinary tool and philosophy in the corporate environment.

A few weeks ago I was approached by an international company who wanted to find out about the possibility of doing some industrial theatre at a conference. They had a product (a data system) that needed to be launched, and they wanted us to spice up the launch and make it fun and exciting. After a lovely chat, they were broad minded enough to consider my suggestion that we run an improv workshop/show shop with the delegates (instead of doing rehearsed sketches), and then pepper the presentation with some improvised interventions. (I must add here that the terrifying idea of trying to understand the product and then deliver accurate content around it was the main reason why I wanted to avoid writing a script and then rehearsing the stuff).

Only after I had sold the idea to them did I hear that there were going to be 200 delegates. 200! That is 200 people in a room, 10 at a table, 20 tables.

So when we (three veteran improvisers) arrived at the venue yesterday and started setting up while everyone was at lunch I felt like an imposter. How were we going to pull this off? I shouldn’t have worried. It was magnificent, and energising, and hilarious and potent and unbelievably barrier breaking. It worked. It was amazing. My fellow improvisers Tandi Buchan and Brett Anderson were superb, and we managed to change and charge the room.

Now this is all I want to do, for the rest of my life. So, if you need us, let me know. Send me a line on megan@improvision.co.za

 

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