Last night was the final performance of our 5 night run of The Deep Red Sea at the Alexander Bar. I loved getting the piece onto stage, and am absolutely convinced it has a life beyond, and now I need to start thinking about what that looks like.

A 5 show run is literally a chance to test the water. And because the Alexander Bar space is in flux, it wasn’t the smoothest time for the show technically, so after those five performances it feels like we are now ready for a full run.

Tandi Buchan, my most generous, innovative and clever director could feel it too. A longer rehearsal process would have given us a chance to fine tune the piece that is already so fiercely determined by the poetry of the words.

But, Jane Rademeyer definitely raised the bar with her original compositions for the soundscape. She also came to the rescue and operated sound for the show, in a space that needed more hands on deck.

I was touched by how touched people were by the show, particularly the writing, and it has given me licence to think about how to take it further. Festivals? Overseas? All of this needs to be thought about. And I am excited.

I would love this post to be an interactive space to talk about the show, if you saw it. What did you think? What would you like to see it become?