Everybody who loves theatre knows that kind of love. For those of us who make it, it is a tricky affair, especially in South Africa, where we are all fighting for audiences, for support, for resources, for money, for space and time. It’s like being in a relationship with a student who is waiting to hear from NSFAS.
So I am always equal parts excitement and anxiety, delight and despair, generous and jealous.
We open From Koe’siestes to Kneidlach, Chantal Stanfield’s one brownish Cape Town woman’s journey into the mysteries of white, Jewish Joburg, in exactly a week. A week is just enough time to be convinced and doubtful, totally excited and utterly nervous about putting this work in front of an audience.
This is the first time I have premiered a work in Joburg. And even though Jozi is my hometown, and it holds my heart in so many ways, I can’t help but feel a little like a fish out of water here. Who are all these people, and where do they go, and will they come?
I can’t decide if the material is contentious or not. I can’t tell if it is kak funny or terribly sad, or none, or all. But soon, when we have an audience, I will know. And so beats my heart in theatre.
To book for From Koe’siestes to Kneidlach, go to Computicket now.